Forever Young: ‘Weltschmerz’ from the 1980s

Alphaville in 2023

This post is focussing at one band and one song: โ€˜Forever Youngโ€™ by the German group Alphaville was a hit 40 years ago and it is again today.

In the 1980s, many young people were pessimistic about the future. Unlike for the ‘baby boomers’, job opportunities were downright poor. People were talking about ‘lost generation’ for a reason.ย ย But the state of the world was also unstable. These were the years of the ‘cold war’ and many were afraid of ‘the (nuclear) bomb’. Alphaville’s big hits should therefore be seen against this background.ย 

Look and listen here at the ‘official version’ of ‘Forever young’. It starts with footage of a church that people apparently used as a hiding place:

In 1981, (singer) Marian Gold (stage name for Hartwig Schierbaum), Bernard Lloyd (Bernard Gรถssling) and Frank Mertens (Frank Sorgatz) formed the band Alphaville, initially called ‘Forever young’. They were joined by fellow members that changed over time. The name of the band was taken from the science fiction film Alphaville from 1965 by Jean-Luc Godard.

The band spent the necessary hours in a primitive studio, where cheap synthesizers and a drum computer were the main instruments. They sent recordings of which would later prove to be the three biggest hits in the band’s existence to several record companies: ‘Big in Japan’, ‘Forever young’ and ‘Sounds like a melody’. To their surprise, they received three offers. These titles all feature on the band’s 1984 debut album.

The band still exists, but Marian Gold is the only remaining member from the first hour. He was born in 1954 in Herford, Germany. As a young student in Berlin, he joined an artists’ collective, Nelson Community, where he formed the band Chinchilla. It also included Bernard Loyd. As a singer, Marian stands out for his multi-octave vocal range. 

In the years following their successful debut album, several other albums followed, most of which were well received but rarely containing songs that reached the absolute top. The most recent album (2022) is ‘Eternally yours’ and harks back to old success songs played in a symphonic arrangement. The band presented this version in a concert tour, along with a chamber orchestra. The last song I am featuring on this exploration is a recording of the symphonic version of Forever young. 

Before, I will delve a little deeper into the background of the song ‘Forever young’, here are the lyrics and their Dutch translation:

Alphaville: Forever youngโ€™

Let’s dance in style, let’s dance for a whileHeaven can wait, we’re only watching the skiesHoping for the best but expecting the worstAre you gonna drop the bomb or not?  Laten we in stijl dansen, voor een tijdje dansen
De hemel kan wachten, we bekijken alleen de lucht
Hopend op het beste, maar verwachtend het ergste
Zul je de bom laten vallen of niet
Let us die young or let us live foreverWe don’t have the power but we never say neverSitting in a sandpit, life is a short tripThe music’s for the sad men Laat ons jong sterven of voor altijd leven
We missen de kracht, maar nooit zeggen we nooit
We zitten in een kuil, het leven is een korte reis
De muziek is voor de droevige mensen
Can you imagine when this race is wonTurn our golden faces into the sunPraising our leaders, we’re getting in tuneThe music’s played by the, the mad man Kun je je voorstellen, na winnen van de wedstrijd
We keren onze gouden gezichten keren naar de zon
Terwijl we onze leiders prijzen stemmen we af op
de muziek gespeeld door dwazen.
Some are like water, some are like the heatSome are a melody and some are the beatSooner or later, they all will be goneWhy don’t they stay young? Sommige zijn als water, sommige als de hitte
Sommigen zijn de melodie, anderen het ritme
Vroeger of later zullen ze allemaal vertrokken zijn
Waarom blijven ze niet jong
It’s so hard to get old without a causeI don’t want to perish like a fading horseYouth’s like diamonds in the sunAnd diamonds are foreverHet is zo moeilijk om zonder doel oud te worden
Ik wil niet sneuvelen als een verzwakkend paard
De jeugd lijkt op diamanten in de zon
En diamanten blijven altijd bestaan
So many adventures couldn’t happen todaySo many songs we forgot to playSo many dreams swinging out of the blueWe’ll let ’em come true Zo veel avonturen konden vandaag niet gebeuren
Zo veel liedjes die we vergeten zijn te spelen
Zo veel dromen, die komen uit het niets
We laten ze allemaal uitkomen
Forever youngI want to be forever youngDo you really want to live forever?Forever, and everForever youngI want to be forever youngDo you really want to live forever?Forever, and ever Voor altijd jong, Ik wil voor altijd jong zijn
Wil je echt voor altijd leven?
Voor altijd en voor alle tijdenVoor altijd jong
Ik wil voor altijd jong zijn
Wil je echt voor altijd, leven?
Voor altijd en alle tijden.

Like many peers, the members of the band were gloomy about the world they lived in. Their first song ‘Big in Japan’ was about drug addiction of young people in 1980s Berlin.  ‘Forever young’ is focusing on the cold war. The threat that one of the world powers will use an atomic bomb and start a nuclear war widespread in those days. The song is about the resulting feeling of helplessness: ‘Hoping for the best but expecting the worst: Are you going to drop the bomb or not?” The song expresses little faith in political leaders.  In the original version, this was even stronger, but under pressure from the record company, the group made the lyrics less explicit: ‘Little fascist lady she loves you so. Following her leader, she’s getting in tune the music’s played by the madmen’ became ‘Turn our golden faces into the sun, praising our leaders, we’re getting in tune the music’s played by the mad man’. According to Marian Gold, the least successful line of the whole song.

The song has a strong allegorical character, and the lyrics are almost poetic. Its message is clear: The fear of dying from the bomb deprives young people of the will to live. What they want is a view of the future: ‘Youth’s like diamonds in the sun, and diamonds are forever’.

In an interview, Marian Gold said that in the first years of the bandโ€™s existence, none of the members could really play an instrument well. Therefore, they felt not good enough to play concerts, which they did on occasion with a lot of synthesizer support. ‘We felt more like studio rats’. Gradually this changed, also thanks to the arrival of new band members with ample stage experience.

The song’s fame was helped by the fact that other artists also included it in their repertoire. One of the most famous of these is by Laura Branigan, who ensured that it also received high praise in the US. 

The song ‘Forever young’ is in the repertoire of countless (wind) orchestras and choirs.  I show an example of both.

First, a recording of the Kreisorchester Borken from 2022. It is a filmed version of the studio recording for a CD of the orchestra.

Next, a recording by the Spanish choir Grupal from 2020.

The song has also been used in several movie pictures and TV shows. The producers of the popular US television seriesย The O.C. (O.C. stands for Orange Country) had asked the Australian ‘Youth group’ to record the song as the title track. This resulted in another top spot on the charts in both the US and Australia. In the Netherlands, the song featured continuously on the NPO Top 2000.ย ย The highest place it reached was 68steย in 2003; in 2022, it was at position 302.

Alphaville itself has also repeatedly released new versions, including a dance version.  The latest version dates from 2022. With it, the band toured Germany together with a chamber orchestra. For this occasion, a new album was released, playing a series of the group’s successes in a symphonic arrangement. I conclude with a recording of this symphonic version.  This version was recorded on WDR’s (also) 40-year Schlagerjubilรคum.

Prog rock nowย (Prog rock 1965 – 2025 part 10)

De Japanse formatie Koiai

In the final installment of this series, I will demonstrate that progressive rock is alive and well. To do so, I will dwell on bands active in the post-2020 period. Some of these are groups and soloists you met in earlier installments; new groups are also featured. Their selection is not random; all were among the winners at the annual progressive rock awards after 2020.

The characteristics of post progressive rock that I mentioned in the eighth episode almost all apply to the songs you are about to hear. Integrating elements of other styles is perhaps the most important feature.[1]

Fish – Garden of Remembrance (from album Weltschmerz, 2020)

Singer Fish (Ferek William Dick) was known for his poetic lyrics in his early days with Marillion. The spoken word became increasingly central in his later songs. You will notice this in the song โ€˜Garden of Remembranceโ€™. This is a subdued and melancholic song about dementia causing loss of connection with a loved one. ‘Garden of Remembrance’ is a metaphorical reference to a place where memories are preserved. The subtle accompaniment music adds impact to the lyrics. You can listen to this song here: 

Porcupine Tree: I drive the hearse (from album Closure / Continuation2023)

This melancholic and introspective song revolves around loss, goodbye and emotional pain, with a sense of resignation and reflection. The lyrics describe a deep personal bond that is broken, possibly through death or the end of a relationship. The metaphor of driving a hearse symbolizes the grief of the person who feels burdened by the final goodbye. 

You can listen to this song here: 

Haken : Nightingale (from album Fauna, 2023)

This complex song tells a story of an inner journey: a search for balance between darkness and light, chaos and order. A nightingale is often associated with beauty, inspiration and overcoming adversity.

Showcasing the group’s technical mastery, the song is a mix of heavy riffs, melodic passages and dynamic turns. You can listen to this song here: 

Steven Wilson: The harmony codex (from album The harmony codex 2023)

Surreal yet introspective, the song explores the power of art to create harmony in a chaotic world. It invites the listener to reflect on the relationship between order and chaos and transcending it through creativity. It is an experimental and atmospheric track that combines elements of progressive rock and electronic music. It is layered, with a mix of compelling melodies, complex structures, and it gives a cinematic feel. 

You can listen to this song here: 

Frost: Skywaving (from the album Life in the wires, 2024)

The text explores themes of communication and connection, referring to similarities and differences in ‘wavelengthsโ€™, evoking a sense of nostalgia and longing. The track combines Jem Godfrey’s airy vocals, lively keyboard parts, solid bass lines and complex drum patterns.                                                                                                                                                                

Musically, “Skywaving”, with its layered arrangements and dynamic transitions, belongs to the neo-progressive genre, with influences from electronic music and pop rock. 

You can listen to this song here: 

Big Big Train: Love is the light (from the album The likes of us, 2024)

This song explores feelings of alienation and feeling like an outsider. It highlights the search for connection and acceptance and how love serves as a guiding light in times of uncertainty. 

The song begins with a soothing violin intro, followed by rich melodies and interplay typical of Big Big Train’s progressive rock style. Alberto Bravin’s vocals add a fresh dimension to the band’s sound. 

You can listen to this song here: 

MEER – Golden Circle (from the album Wheels within wheels, 2024)

Golden Circle describes a protagonist struggling with inner turmoil and seeking meaning and solace in fleeting moments of euphoria. The song explores themes of longing and the search for meaning. It combines elements of progressive rock and pop, with innovative guitar chords and a dynamic build-up. Knut and Johanne’s vocals together create a compelling atmosphere that enhances the emotional charge of the song. 

You can listen to this song here: 

Geordie Greep – The New sound (from the album: The new sound 2024)

This song explores themes of ego, failure and the human need for recognition. It acts as a metaphor for “the museum of human suffering”, with the protagonist focusing on his pain and the desire to be remembered. ‘The New Sound’ mixes progressive jazz rock with unexpected twists and turns, alternating well-behaved melodies with subcutaneous tension. This combination reflects the balance between control and chaos explored in the song. 

You can listen to this song here

Transatlantic: The world we used to know (Forevermore 2021)

In the previous episode, I already featured some songs by supergroup Transatlantic. In 2021, the group outdoes itself once again by releasing two albums, partly with the same songs but in a different performance. The albums are: The breath of life and Forevermore. Together, they are referred to as ‘The absolute universe’. The epic song ‘The world we used to know’ expresses nostalgic longing for earlier times. It evokes images of a world once familiar and familiar but now changing, and highlights the search for meaning in this new reality. 

Characteristic of Transatlantic is its combination of complex structures and melodic passages. It contains impressive instrumental parts and harmonies reminiscent of classic progressive rock, with a modern twist. 

You can listen to this song here: 

Encore: Japanese super formation Koiai

Japanese guitarist Li-sa-X has been posting her music on YouTube since the age of 7 and in 2019 at the age of 14, she formed her own band, Koiai (close love). This consists of Li-sa-X, Hazuki and Rina who sings. They share their preference for complex progressive rock with jazzy undertones. You listen to this trio on the song โ€˜Looking up to youโ€™ (1922), a song written by Li-sa-X.


Shortly after recording this song, Rina decides for another career and Kotono succeeds her. The band was further expanded with Kanato Sato, one of the world’s top drummers despite her age. Wakazaemon becomes bassist.
You can watch and listen to the song A new Picture (2023). It could be the soundtrack to a rollercoaster ride. The contrasting atmospheres are breathtaking and a tour de force for the members of the band.


It is definitely worth listening to two other recent songs by this group as well:ย One Way or Anotherr andย Automatic.

Remarkably, many post prog rocksongs are contemplative in nature; perhaps one of the biggest differences between classic and contemporary prog rock.

This concludes this series. I hope you have become familiar with characteristics of progressive rock: often longer songs than usual, parts varying in tempo, measure and timbre, virtuoso playing, serious subjects ranging from mythological, fairy-tale, socially critical and introspective lyrics, and yet also a wide variety. With groups like Marillion, Porcupine Tree and Transatlantic, the emphasis is on melody and atmosphere; groups like Dream Theater, Haken and Rush explore the frontier with hard rock and metal.  You rarely find prog rock songs on charts; the ‘fan-base’ is too small for that. Concerts, on the other hand, are almost always sold out. 

Account of the series

To write this series, I used the English version of Wikipedia, articles by Daniel van Auken and others in Medium, the magazines Oor and Uncut, and Groen and Mourits’ book โ€œBeatles onthoud die naamโ€. Occasionally, ChatGPT offered help in structuring information.


[1] The description of individual songs is taken from Wikipedia, various editions of the ‘Prog Report’ and Chat GPT.