Is the iconic pop song ‘Viva la Vida’ really Coldplay’s?

Few (top) hits have become as popular and played by as many singers, vocalists, choirs and orchestras as Viva la Vida, or ‘Long live life’. The song is on the fourth album released by Coldplay, which was called Viva la vida or death and all his friends (2008). The then already popular band had been around for quite some time. In 1996, singer Chris Martin and drummer Jonny Buckland had met during an induction week at University College London. Students Will Champion and Guy Berryman joined the duo and Starfish, a band that mainly performed in pubs, was born. They soon changed the name to Coldplay when a friendly band of that name ceased to exist. The band still exists in this formation. 

To introduce the song, here is the ‘official’ music video.

This video gives a better idea of the song than a recording in one of the gigantic stadiums where Coldplay usually performs and where the vocals of the audience dominate Chris Martin’s voice. To have an idea of that, watch a snippet of Coldplay’s performance at Pinkpop in 2011.

According to singer Chris Martin, the song Viva la Vida came about by accident. He could not fall asleep and had just taken a couple of sleeping pills when the words ‘I used to rule the world’ along with a matching tune shot through his head. He expelled the emerging sleep, picked up his guitar and formed an idea of the rest of the song, which he later finished together with his bandmates. 

The lyrics are all optimism about the possibility of overcoming adversity, as well as authoritarian rulers. The title of the song and the album as well were inspired by the words on a painting by the Spanish artist Frida Kahlo (pictured above), who herself had endured several setbacks and illnesses, but had always kept her faith in better times. Here is a link to the lyrics

The song is written from the perspective of an authoritarian monarch who has lost his power and now ‘sweeps the streets he once owned’ and complains that he once had the key, but the gates now remain closed to him. The reference to the fact that the gates to heaven will also remain closed is a childhood trauma of singer Chris Martin who, as a ‘naughty boy’, was often promised eternal damnation’. He says he is fascinated by the (delusional) idea that in heaven there is some kind of court analysing people’s lives. On the positive side, at least, there is no place there for the ‘I character’ from the song.

As an interlude, listen and watch the version by a large choir and orchestra conducted by Cicero Alves.  The choir’s presentation is infectious.

The instrumentation of Coldplay’s song deviates from the usual piano and guitars. The intro consists of violins, that also carry the rest of the song, along with an electric piano and bass guitar. Otherwise, there are only the sustained thump of a bass drum, the sound of a timpani and a church bell. 

The song’s popularity was not limited to the music world. In the 2008-2009 season, the song was played in Hamburger SV’s stadium after every goal.  Unfortunately for the club, it could never say ‘we used to rule the world’.  That same season, the song became the anthem of FC Barcelona and that club was more successful than ever.

Finally, look at a flash mob in which the youth symphony orchestra Amici Della Musica Allumiere from the Italian city of Trento played the stars from heaven.

Is Vida la Vida can Coldplay plagiarism?

It’s not all gold that shines.  After Viva la Vida reached the top of the charts, Coldplay faced several charges of plagiarism. Was the song, the melody in particular, all Coldplay’s? When the song became a hit, there were at least four accusations of plagiarism.

The first came from US singer Cat Stevens. The song ‘Foreigner Suite’ features two passages that are suspiciously simi lar to passages in Viva la Viva. The video below compares the allegedly similar parts. 

The second accusation came from an unknown American band Creaky Boards. Coldplay allegedly used part of the melody of ‘The Songs I Didn’t Write’ in Viva la Vida as the melody of their song. A song in which the singer is expressing his jealousy of all those nice songs he didn’t write. You only must listen to the first minute. The chorus is clearly different. By the way, it is quite a nice song.

The third song is ‘Love again’ by Carly Rae Jelsen from 2005. The accusation is the intro and the chorus. I believe the similarity is only on a few bars, so here the chance of coincidence is very high.

The fourth indictment came from guitar virtuoso Joe Satriani in his instrumental song’ ‘If i could fly’:

The video below shows the deliberate clips from ‘Viva la Vida’ and ‘If I could fly’ in sequence.

This appears to be the most serious charge for plagiarism. In Joe Satriani’s case, there was a very real chance that a judge would have confirmed plagiarism. Musicologists who have examined both pieces of music find that there is a high degree of similarity. The chord progression, tempo and rhythm are almost identical. A minute comparison of the score shows that both songs have so many similarities that coincidence is out of question.  

Yet this does not necessarily mean that Chris Martin deliberately copied the tune. The story is that the phrase ‘I used to rule the world’ along with a matching tune came to his mind at night. At night, our brain works in full force and countless memories can emerge from the subconscious, tunes once heard included. 

In 2009, the two parties reached an out-of-court settlement. The content of the settlement was an undisclosed financial agreement resolving the copyright dispute, without an admission of copying by Coldplay and any public disclosure of the exact monetary or contractual terms.

Chris Martin has always dismissed accusations of plagiarism. He says they these accusations inspire him to make even better songs.  Deliberate use of ‘samples’ often results from appreciation and is explicitly announced.

George Harrison 1943 – 2001 (The Beatles after the Beatles part 2)

George’s later love of Indian music may have come about in a remarkable way. During her pregnancy, his mother regularly listened to the mysterious sounds of sitars and tablas in the hope that they would have a calming influence on the child in her womb.  Later, she fully supported Harrison’s career: when he was 14, she bought him his first guitar and a friend of his father’s taught him how to play it. George’s first musical influences were Django Reinhardt and Lonnie Donogram, under whose influence he founded the skiffle group ‘The Rebels’ before moving on to Lennon and McCartney’s group ‘The Quarrymen’.  He accompanied the group, then called ‘The Beatles’, to Hamburg and was deported several times because he was too young to play in nightclubs. 

Now, let’s skip ahead to Georges’ later years: In 1999, a paranoid and schizophrenic man attacks him and his wife Olivia in their home. He stabs George with a kitchen knife, puncturing his lung. Olivia eventually overpowers him with a poker. Shortly afterwards, throat cancer is diagnosed, which is successfully treated with radiotherapy.  Unfortunately, the cancer returns and George dies in November 2001. His ashes are scattered in the Ganges according to Hindu tradition.

Discography

George Harrison has already made two solo albums while the Beatles were still together: Wonderwall (1968) and Electric Sound (1969). These mainly contain instrumental tracks. ‘Wonderwall’ is the soundtrack to the film of the same name and is mixing Indian and Western sounds. ‘Electric Sound’ mainly features electronic music, in which the Moog synthesizer plays an important role.

After the Beatles split up, George releases the following albums:

  1. All Things Must Pass (1970)
  2. Living in the Material World (1973)
  3. Dark Horse (1974)
  4. Extra Texture (Read All About It) (1975)
  5. Thirty Three & 1/3 (1976)
  6. George Harrison (1979)
  7. Somewhere in England (1981)
  8. Gone Troppo (1982)
  9. Cloud Nine (1987)
  10. Brainwashed (2002, posthumous)

All Things Must Pass (1970)

Harrison can now indulge himself. His musical contribution to the albums released by the Beatles had been limited to two songs per album. ‘All Things Must Pass’ contains two CDs with original songs. This album topped the charts in both the US and the UK. You can listen to one of the songs: ‘What Is Life’ (recorded in 1992). The second song, ‘My Sweet Lord’ (recorded in 1970), can be found here:

This last song led to a lawsuit because of its similarity to the hit ‘So Fine’ by the Chiffons (1963). George lost the case and had to pay $600,000. 

Concert for Bangladesh (1971)

George doesn’t have much time to dwell on his disappointment, because his mentor and Indian sitar virtuoso Ravi Shankar calls on his help in organising a benefit concert for refugees from the former East Pakistan. Two concerts are scheduled for Madison Square Garden, one in the afternoon and one in the evening on 1 August 1971. George calls on his friends and colleagues: Ringo, Bob Dylan, Eric Clapton, Billy Preston and the band Badfinger. The concert and the album featuring the recordings raised 12 million dollars.

Living in a material world (1973)

Due to his conviction for plagiarism, George struggles with a writer’s block for quite some time, but eventually a new album, ‘Living in a Material World’, was released in 1973, the year in which he professes his Hindu faith. The album spent five weeks at number one in the US and UK charts. The single ‘Give Me Love (Give Me Peace on Earth)’ was a huge hit. Listen to a recording in George’s later years here.

According to some, this album contains the strongest compositions of his career. Critics used terms such as ‘vastly appealing’ and ‘profoundly seductive’; others found it ‘awkward’ and ‘overtly sentimental’.

Dip in career

After ‘Living in a material world’, a handful of albums were released that were of much lower quality than ‘All things must pass’ and ‘Living in a material world’. With the song ‘Blow Away’ on the album ‘George Harrison’ (1979), he reaches the top 20 in the US and Canada for the first time in years. It is one of his most popular songs, a straightforward pop song with little melodic variation.

Somewhere in England (1981) and Cloud Nine (1987)

The death of John Lennon in 1981 is a shock to George, who still considers John a mentor. He reworks the song ‘All Those Years Ago’ as a tribute to John; Paul and Linda McCartney and Ringo also contributed to it. The song peaked at number two in the US and is included on the album ‘Somewhere in England’ (1981).

I also want mention the album ‘Cloud Nine’ (1987) with hits such as ‘Got My Mindset on You’ and ‘When We Was Fab’, which is also a nostalgic look back at the time when the Beatles conquered the world as a group. Ringo also plays on this song. You can listen to it here:

The song is very similar to older Beatles songs such as ‘I am the walrus’ and contains references to ‘Drive my car’ and ‘Within you, without you’. Complete with cellos, sitar and special effects, it brings the era of psychedelic rock back to life. It is Harrison’s last hit in the US; the public considers it one of his ten best songs.

The Traveling Wilburys (1988)

Harrison’s passion for music has faded somewhat in recent years. Then something happens that brings his joy back: the formation of the supergroup ‘The Traveling Wilburys’, whose members, besides George, are Bob Dylan, Jeff Lynne, Roy Orbison and Tom Petty (of Tom Petty and the Heartbreakers). They present themselves as a group of travelling half-brothers, the Wilburys and released two albums of classic rock. The first is a huge success and has won a Grammy for ‘Best Rock Performance by a Duo or Group’. Here you can hear ‘End of the Line’, one of the songs from this album.

The group released a second album, jokingly titled ‘Traveling Wilburys Vol. III’. By then, the group has become a quartet following the death of Roy Orbison from a heart attack. George have big plans, including a series of performances, but nothing comes of it and eventually the interest of the group members waned.

The Beatles Anthology (1994)

A new project ‘The Beatles Anthology’ presented itself. It was a multimedia project consisting of six hours of television documentaries, three sets of double albums and a book about the history of the Beatles, all arranged chronologically. Apparently, each of the three remaining Beatles feel the need to record and document the past as much as possible. They first allow Jools Holland to be interviewed at length. Afterwards they start cataloguing lyrics from the past, unfinished songs, takes from recordings and all the correspondence surrounding them. Several songs by John Lennon also surface: ‘Free as a Bird’, ‘Real Love’ and ‘Now and Then’. Of these songs, only a poorly recorded vocal track and a piano part were available. Then they decide to finish these songs using digital tools and add them to each of the parts of the anthology. Free as a Bird is released in 1995, ‘Real Love in 1996. You can hear that song here

It took until 2023 for ‘Now and then’ to become available, because only then the quality of the source material can be improved with AI.

The production of this enormous project took approximately 5,000 hours of work. Apart from the priceless cultural value of the whole, it was also a great commercial success.

Brainwashed (2002)

Meanwhile George Harrison has started working on a new album: ‘Brainwashed’. He passes away during the production process. The album has been completed by his son Dhani and his friend and colleague Jeff Lynne. The album reachs the top 20 in the US and is positively reviewed by most critics, who particularly praise George’s deeply emotional slide guitar playing.

The album includes the singles ‘‘Inside a cloud’ , ‘‘Road’. The instrumental ‘Marwa Blues’ receives a Grammy Award in 2004 for ‘Best Pop Instrumental Performance’. Listen to this number here.

The song is named after Raga Marwa, an Indian classical raga that was usually played at sunset.

What else did George Harrison do?

George’s somewhat waning interest in making new albums and the overall lower quality of most of the songs in the period 1975–1985 relates to other activities that were taking up more and more of his time.

Dark Horse Records.

In 1974, George founds Dark Horse Records, a label to enable musicians to release songs that record companies were not interested in, following in the footsteps of the now defunct Apple Corps. George is helping them as a producer. Harrison’s own albums are also released under this label from 1976 onwards. A&M Records handles the worldwide distribution of the label.  Harrison’s son Dhawi revives the label in 2002 after a 10-year hiatus, in connection with the release of Harrison’s last album, Brainwashed. The label still exists, although its roster consists of a limited number of artists, such as Ravi Shankar, Joe Strummer, Leon Russell, Cat Stevens and, of course, the legacy of George Harrison himself.

Handmade Films

In 1978, George Harrison and Dennis O’Brien found Handmade Films, initially to produce Monty Python’s Life of Brian. The next blockbuster was Time Bandits (1981). Twenty-one other films followed. Most of them flopped, partly due to the excessive debts incurred by O’Brien, some of which Harrison recovers after legal intervention. Handmade Films ceased operations in 1991. 

Humanitarian activities

Throughout his career, Harrison has been politically active. In the 1960s, he supports the civil rights movement and is protesting the war in Vietnam. Later, he joins Greenpeace and Friends of the Earth in opposing the use of nuclear energy. He donates one of his houses to the Hare Krishna movement, which turned it into a temple.

Looking back

Harrison demonstrated outstanding songwriting skills, which developed already during his Beatles’ years. However, I doubt whether he ever equaled the standard of his best songs from that period. Inspired by Hinduism, he continued to explore themes such as transience and personal growth. His most important songs as a solo artist are: ‘What is life’ and ‘My sweet Lord’ (both on the album ‘All things must pass’, 1970), although a court ruled that the latter was partly plagiarised. ‘Give Me Love (Give Peace on Earth)’ (on ‘Living in a Material World’, 1973) and ‘Blow Away’ (on ‘George Harrison’, 1979) are simple pop songs, but among his most popular. In addition’’Got My Mind Set on You’ and ‘When We Was Fab’ (both on Cloud Nine, 1987).

Between 1966 and 1968, George devoted himself to learning to play the sitar. Until his teacher Ravi Shankar advised him to go back to his roots. Ravi Shankar saw him as a world-class guitarist, but he was only able to achieve an average level on the sitar. Harrison’s ‘Marwa blues’ (on ‘Brainwashed’, 2002), which posthumously won a Grammy Award, proved that Shankar was right about the guitar.